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摄影 | Photography傅萌 | Fu Meng

加拿大 | Canada

2013

习以为常的移动秩序被切割、排列

作品以时间的视角观察当代社会，反思人的内在精神世界被社会性所取代，人逐渐成为运转的机器，并融入到巨大的社会秩序当中。艺术家在线性的时间轴上抽离日常空间并加以排列，以时间的长度替换空间场景。因为人们更愿意让时间以线性发展，这能给我们带来秩序感以及盲目乐观的进步感。画面包含了时空的变异，展现给我们的是始终朝着明确稳定的规则前进。这种规则试图规范当下社会的每个人都在机械冰冷的轨道上。当观者试图在非写实的影像中寻找真实的社会场景时，看到了作品并非只是单纯地重复现实，进而在虚拟现实/再现现实之间反身自观。

Habitual Sequence of the Mobility, Cut and Permuted

The works observe the contemporary society from the perspective of time, reflecting that the people’s inner spiritual world is replaced by sociality and has gradually become a running machine that integrated with the great social order. Artists dissociate everyday space from the linear timeline and re-arrange them in order to replace space scenes with the length of time. Because people are more willing to accept that time is under linear development, which brings us the sense of order and the sense of progress due to blind optimism. The photographs illustrate the variation of time and space, representing us an advance towards a clear and steady rule. This rule tries to make sure that every people in the society move on certain cold and mechanical track. When the viewers try to seek real social scene from this non-realistic photograph, they will find out that the artwork is not simply a reproduction of reality, and then to introspect between the virtual reality and representation of the reality.